Chapter 18 of it all melts down to this: a novel in timelines appears in volume 16 of DASH, a print journal published by California State University, Fullerton.
To learn more, go here:
Chapter 18 of it all melts down to this: a novel in timelines appears in volume 16 of DASH, a print journal published by California State University, Fullerton.
To learn more, go here:
Soon Pandemonium Logs: Sioux Falls 2020-2022 will be released by Raritan Skiff Books, an imprint of Rutgers University Press.
https://raritanquarterly.rutgers.edu/raritan-imprint
One description of the project goes like this:
In 2015, Ben Miller and Anne Pierson Wiese, moved from NYC to
Sioux Falls, South Dakota, to explore their midwestern roots and
to focus on writing projects. Working a day job in a hospital,
Miller had a front-row seat to the Covid-19 pandemic as it moved
from the coasts to the Upper Midwest. Spanning March 2020
to January 2022 and taking the form of documentary-style notes,
Pandemonium Logs casts an unflinching eye on the state of
the US healthcare system during a global pandemic, giving voice
to the doctors, nurses, patients, and families at the center of the
crisis and raising crucial questions about medical ethics, regional
divides, and the human cost of organizational malfunction.
The short story “A Slush Lover’s Homily” appears in issue 91 of Willow Springs, a print journal connected to Eastern Washington University.
Chapter 30 from my nonfiction work The Extravagant Art of Seeing: Thoughts While Tearing Up a Novel Late One Night appears in its entirety in this on-line journal. To view the content clink the link below.
Pages 35-37 from my graphic novel How Capitalism Did End appear in issue number five of this independent journal. The issue is specifically designed to be read on smartphones. A nearly free copy can be ordered by following the link below.
Pages 21-24 from Make—a graphic poetic sequence exploring the reality of “the page under the page”—will soon be featured by Ecotone, the literary magazine dedicated to reimagining place. To learn more about the magazine follow the link below:
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https://ecotonemagazine.org/
The entirety of Chapter 7 from it all melts down to this: a novel in timelines appears in the winter 2022 print issue of The Georgia Review.
To learn more about this venerable journal, click the link below:
Four pages from a book-length project The Extravagant Art of Seeing: Thoughts While Tearing Up a Novel Late One Night (an essay enacted) can be found in print issue four of Inverted Syntax.
To learn more about this independent journal follow the link below.
Pages 33-40 from Make—a graphic poetic sequence exploring the reality of “the page under the page”—have just been published in issue 31 of Posit. The Editor’s Note features a small acute essay about each included work. To explore this independent online journal follow the link below:
From 1968 until July 31, 2022, I had one librarian.
At the start, when I was five, racing into the Davenport Public Library weekly, the overdue fines piled up fast. But Miss. Murray never refused to check out a book to me. She kept a quiet tally, trusting someday I would settle up.
More than fifty years later, she was still on the job, aiding research involved in writing projects, sending me notes like this:
“The Special Collections Department had the enclosed information I thought you would like to have.”
Rochelle played an important role in the local writing community that offered me a safe and inspiring haven when I had no other hopeful place to go as a troubled teenager in Urban Iowa. She was a staunch advocate of literacy, a gentle warrior the world is weaker without.
To read more about her remarkable life, follow the link below.