The journal AMP, out of Hofstra University, is the first to publish an excerpt from a new work I call Make.

Heeding the wisdom of Adrienne Rich’s comment “The notes for the poem are the only poem,” Make consists of a 70-page graphic poetic sequence that depicts the enigmatic, grinding, flighty, scary, fun, musical and atonal reality of “the page under the page” or the epic of a creative process at work. Its whispers—shouts—crowds of influences. Here the means is the end.

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